Do Not Stand At My Grave and Weep (1 Copy)

£17.00

Choral: SSA | Range: B3 - F5

With piano reduction

Poet: Mary Elizabeth Frye

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Programme Notes

This choral work was written for the Carvetii Trio and premiered at Lanercost Priory, Cumbria, on 7th December 2014. The BBC Singers gave the work further performances in 2015 and 2016

In the autumn of 2014 we lost our unborn son, Marvellous, and my Nanny, Vita Pinto. This poem struck me initially as Marvellous was born in Italy and we had an awful experience trying and failing to bring him home. It then chimed with me again at my Nanny's funeral as we all stood around her grave singing our hearts out. I have added a later dedication to my Nana, Stella Jarman, who died in Autumn 2018. This piece is part of ‘Songs for Marvellous’, a song-cycle dedicated to our son.

Performance Instructions

  • Each phrase of the piece must be allowed to stand on its own merit.

  • Treat the rests between phrases as timed pauses. The length of the rests can be slightly flexible.


Duration: 2 minutes

PDF Digital Download

1 Licensed Copy

Please support self-published composers and buy extra copies rather than photocopying

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Choral: SSA | Range: B3 - F5

With piano reduction

Poet: Mary Elizabeth Frye

Listen to the piece

Programme Notes

This choral work was written for the Carvetii Trio and premiered at Lanercost Priory, Cumbria, on 7th December 2014. The BBC Singers gave the work further performances in 2015 and 2016

In the autumn of 2014 we lost our unborn son, Marvellous, and my Nanny, Vita Pinto. This poem struck me initially as Marvellous was born in Italy and we had an awful experience trying and failing to bring him home. It then chimed with me again at my Nanny's funeral as we all stood around her grave singing our hearts out. I have added a later dedication to my Nana, Stella Jarman, who died in Autumn 2018. This piece is part of ‘Songs for Marvellous’, a song-cycle dedicated to our son.

Performance Instructions

  • Each phrase of the piece must be allowed to stand on its own merit.

  • Treat the rests between phrases as timed pauses. The length of the rests can be slightly flexible.


Duration: 2 minutes

PDF Digital Download

1 Licensed Copy

Please support self-published composers and buy extra copies rather than photocopying